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Andon Subject Index
This is the cumulative subject index of all articles which appeared in Andon. You can browse through the following categories:
Biographical
Book
and CD reviews
Exhibition
and Symposium Reviews
Ceramics
Front
Cover
History
and Art-history
Lacquer
Letters
to the Editor
Netsuke,
inrô and ojime
Paintings
and Drawings
Prints
and Illustrated Books
Various
Crafts
Tip: for a quick find, use the Find or Search option in your browser.
Biographical
| Author |
Title |
No |
: |
Page(s) |
|
Bruijn, R. de |
In memoriam Felix Tikotin |
23 |
: |
66-68 |
|
Bruijn, R. de |
In memoriam Heinz. M Kaempfer |
20 |
: |
67 |
|
Bruijn, R. de |
Laurence Binyon |
1 |
: |
12 |
|
Bruijn, R. de |
Under the spell of Japanese art |
50 |
: |
8-10 |
|
Dam, Peter van |
Siegfried Bing 1838-1905 |
10 |
: |
10-14 |
|
Dam, Peter van |
Wakai Kenzaburô, the connoisseur |
18 |
: |
35-41 |
|
Del Gaizo Fusco, Fiamma |
In memory of Eiko Kondo 1931-2000 |
66 |
: |
12 |
|
Fiorillo, John, and Peter Ujlaki |
Editor's Introduction
(memorial issue of Andon, dedicated to Matsudaira Susumu) |
72&73 |
: |
5-6 |
|
Fiorillo, John, and Peter Ujlaki |
Matsudaira Susumu, 1933-2000 |
72&73 |
: |
9 |
|
Fiorillo, John, and Peter Ujlaki |
A selected list of books and monographs on ukiyo-e from Kamigata and Edo by Matsudaira Susumu |
72&73 |
: |
10 |
|
Fitski, Menno |
In memoriam: Johan Sommerwil (1926-2009)
A connoiseur in search of Japan |
86 |
: |
62-63 |
|
Forrer, Matthi |
The Society for Japanese Arts and Crafts. 1937-1987 |
25 |
: |
3-8 |
|
Forrer, Matthi |
Jack Hillier, 1912-1995 |
51 |
: |
31-34 |
|
Forrer, Matthi |
Mr. R. de Bruijn as I remember him |
61 |
: |
26-32 |
|
Gisolf, J.H. |
Love cannot be explained |
50 |
: |
15-16 |
|
Goslings, Jan H. Willem |
Collectors delight |
50 |
: |
17-20 |
|
Green, William |
A chat on Arthur Davison Ficke (1883-1945) |
11 |
: |
1-12 |
|
Green, William |
Dr. Arthur B. Duel (1870-1936). An American collector of Japanese prints |
13 |
: |
1-10 |
|
Green, William |
A peerless pair: Freerick W. Gookin and Frank Lloyd Wright and the Art Institute of Chicago’s 1908 exhibition of Japanese prints |
14 |
: |
14-19 |
|
Green, William |
Published writings of Hamilton Easter Field on Japanese prints |
12 |
: |
14-16 |
|
Green, William |
Published writings on Japanese prints by Arthur Davison Ficke |
7 |
: |
22-25 |
|
Green, William |
Any
ukiyo-e? |
50 |
: |
21-23 |
|
Green, William |
In memoriam
Bibliography of the writings of Jack Ronald Hillier (1912-1995) |
63 |
: |
31-38 |
|
Hillier, Jack |
Charles Mitchell+ A 75th birthday tribute |
17 |
: |
3-5 |
|
Hillier, Jack |
Overcoming the post-war hostility to Japanese art |
50 |
: |
24 |
|
Ing, Eric van den |
On the death of Richard lane |
76 |
: |
38-39 |
|
Kaempfer, H.M. |
Felix Tikotin 90 years |
12 |
: |
17 |
|
Kaempfer, Raymond |
Growing up under the scrutiny of a great Japanese lady |
50 |
: |
25-27 |
|
Kaempfer, Raymond & Rebecca Bitterman |
Jacob Pins: artist, collector and connoisseur |
80 |
: |
51-56 |
|
Kennedy, Robin |
In memoriam B.W. Robinson
20th June 1912 - 29th December 2005 |
80 |
: |
48-50 |
|
Keyes, Roger S. |
In celebration |
50 |
: |
28-29 |
|
Korteling, Gerrit Jan |
A collector’s lament |
50 |
: |
30-32 |
|
Kuwabara, Setsuko |
Dr. Steffi Schmidt |
38 |
: |
67-68 |
|
Lane, Richard |
C. H. Mitchell+ A brief memoir |
17 |
: |
6 |
|
Levis, Donna |
Charlie Mitchell and the ‘discovery’ of Yoshitoshi |
50 |
: |
41-42 |
|
Lühl, Hendrick |
Osaka prints, a love affair |
50 |
: |
43-44 |
|
Put, Max |
La maison d'un artiste |
82 |
: |
5-24 |
|
Oikawa, Shigeru |
Discovery of good fortune? Ten years with Kyôsai paintings |
50 |
: |
45-47 |
|
Pins, Jacob |
Collecting Far Easten art in Jerusalem |
50 |
: |
48-51 |
|
Querido, A. |
Obituary Nathan Chaikin (1907-1987) |
25 |
: |
22-23 |
|
Robinson, B.W. |
Early awakening |
50 |
: |
57-59 |
|
Silverman, Richard R. |
Hooked on collecting Japanese art |
50 |
: |
60-61 |
|
Skibbe, Eugene M. |
Yoshida Toshi 1911-1995: Diversity, change and continuity in
the Yoshida art tradition |
53 |
: |
3-14 |
|
Stevenson, John |
Acquiring a set of Fûzoku sanjûnisô |
50 |
: |
62-64 |
|
Tazawa, Yutaka (ed.) |
Biographical dictionary of Japanese art (Matthi Forrer) |
11 |
: |
30 |
|
Uhlenbeck, Chris |
Robert O. Muller, 1912-2003 |
74 |
: |
28-29 |
|
Ujlaki, Peter |
A personal note
(In memory of Matsudaira Susumu) |
72&73 |
: |
7-8 |
|
Ujlaki, Peter |
In memory of Susumu Matsudaira 1933-2000 |
68 |
: |
37 |
|
Yamaguchi, Seiichi |
Concerning Fenollosa’s death |
50 |
: |
70-73 |
Back to top
Book and CD reviews
| Author |
Title (reviewed by) |
No |
: |
Page(s) |
|
Addiss, Stephen |
The world of Kameda Bôsai (Heinz M. Kaempfer) |
16 |
: |
14 |
|
Addiss, Stephen |
Haiga - Takebe Sôchô and the haiku painting tradition (Eric van den Ing) |
53 |
: |
32-33 |
|
Addiss, Stephen (ed.) |
Japanese ghosts & demons. Art of the supernatural (Robert Schaap) |
21 |
: |
22 |
|
Aitken, Geneviève and Marianne Delafond |
La collection d’estampes japonaises de Claude Monet à Giverny (R. de Bruijn) |
21 |
: |
25-31 |
|
Allison, Louise Cort |
Japanese collections in the Freer Gallery of Art: Seto and Mino ceramics (Len Spanjer) |
45 |
: |
38-39 |
|
Angel, J. C. et al. |
De samurai. Japanse krijgslieden, hun zwaarden en zwaardsieraden (Kees Berbee) |
12 |
: |
18 |
|
Asano, Shûgô, and Timothy Clark |
The passionate art of Utamaro (John Fiorillo) |
54 |
: |
28-33 |
|
Asia Society New York |
Undercurrents in the Floating World (John Stevenson) |
42 |
: |
55-56 |
|
Avitabile, Gunhild (ed.) |
Die Kunst des alten Japan. Meisterwerke der Mary and Jackson Burke Collection, New York (Patrizia Jirka-Schmitz) |
38 |
: |
72-73 |
|
Ayers, John, Oliver Impey and J.V.G. Mallet |
Porcelain for palaces. The fashion for Japan in Europe 1650-1750 (Ken Vos) |
37 |
: |
38-39 |
|
Bandini, Luigi (ed.) |
The Charles A. Greenfield collection (Jan Dees) |
35 |
: |
96-97 |
|
Baten, Lea |
Japanese folk toys. The playful arts (Len Spanjer) |
48 |
: |
140 |
|
Berès, Galerie Huguette |
Sharaku. Portraits d'acteurs 1794-1795 (Matthi Forrer) |
1 |
: |
9-10 |
|
Berry, Paul and Michiyo Moriaka |
Literati Modern, Bunjinga from Late Edo to Twentieth-Century
Japan. The Terry Welch Collection at the Honolulu Academy of
Arts |
86 |
: |
64-68 |
|
Brandon, Reiko Mochinaga |
Country textiles of Japan, the art of tsutsugaki (Matthi Forrer) |
25 |
: |
27-28 |
|
Brandt, Klaus J. |
Hosoda Eishi 1756-1829. Der japanische Maler und Holzschnittmeister und seine Schüler - first part (Roger Keyes) |
3 |
: |
84-87 |
|
Brandt, Klaus J. |
Hosoda Eishi 1756-1829. Der japanische Maler und Holzschnittmeister und seine Schüler - second part (Roger Keyes) |
4 |
: |
114-120 |
|
Brockhaus, Albert |
Netsuke (J. van Daalen jr.) |
1 |
: |
13-16 |
|
Brommele, N.S. and Perry Smith (editors) |
Urushi. Proceedings of the 1985 urushi study group (Jan Dees) |
33 |
: |
24-25 |
|
Brown, Ken, and Amy Reigle Newland |
Hasui - The complete woodblock prints, 2 vols. (W. John Minzinga) |
74 |
: |
53-54 |
|
Bruijn, R. de |
Three Days in Paris |
1 |
: |
4-8 |
|
Carpenter, John T. and others |
Reading Surimono: The Interplay of Text and Image in Japanese
Prints, with a Catalogue of the Marino Lusy Collection |
96 |
: |
69-71 |
|
Clark, Timothy |
Ukiyo-e paintings in the British Museum (Ellis Tinios) |
44 |
: |
125-126 |
|
Clark, Timothy T., and Osamu Ueda a.o. |
The actor’s image, Print makers of the Katsugawa School (David Caplan) |
50 |
: |
74 -76 |
|
Cunningham, Louisa |
The spirit of place. Japanese paintings and prints of the sixteenth through nineteenth centuries (Robert Schaap) |
15 |
: |
19 |
|
Doesburg, Jan van |
What about Kunisada? (Lawrence R. Bickford) |
36 |
: |
137-138 |
|
Eskenazi Ltd. |
Japanese netsuke from the Carré collection (Jan Dees) |
45 |
: |
36-37 |
|
Fagioli, Marco |
Hokusai wakan ehon sakigake (Matthi Forrer) |
2 |
: |
57-58 |
|
Fialla, Donatella |
Dipinti e stampa del Mondo Fluttuante. Capolavori Ukiyoe del Museo Choissone di Genova (Victor M. Schmidt) |
79 |
: |
52-57 |
|
Formanek, Susanne & Sepp Linhart |
Written Textst - Visual Texts, Woodblock-printed media in Early Modern Japan (William Wetherall) |
80 |
: |
57-61 |
|
Forrer, Matthi |
Drawings by Utagawa Kuniyoshi from the collection of the National Museum of Ethnology, Leiden (Charlotte van Rappart-Boon
and Eric van den Ing) |
30 |
: |
116-119 |
|
Forrer, Matthi |
Hokusai (Peter Morse) |
34 |
: |
63-64 |
|
Forrer, Matthi |
The Baur Collection - Japanese prints (Robert Schaap) |
52 |
: |
35-36 |
|
Forrer, Matthi |
Stars from the stage in Osaka (Hendrick Lühl) |
52 |
: |
38-39 |
|
Forrer, Matthi (ed.) |
Essays on Japanese art. Presented to Jack Hillier (Richard Lane) |
10 |
: |
16-24 |
|
Forrer, Matthi (ed.) |
Japanese umbrella’s in London rain... (review of ‘Essays on Japanese art, presented to Jack Hillier’, by David Waterhouse) |
9 |
: |
12-17 |
|
Furuta, Shôkin |
Sengai - Master Zen painter. (Anna, Beerens) |
69 |
: |
27-29 |
|
Goldman, Bogel. Cynthea J. and Israel |
Hiroshige. Birds and Flowers (Robin Kennedy) |
35 |
: |
98 |
|
Graham, Patricia J. |
Tea of sages - The art of sencha (Anna Beerens) |
64 |
: |
26-28 |
|
Great Japanese art series, Ukiyo-e |
Utamaro, Hiroshige, Zen ink paintings, Early ukiyo-e master: Okumura Masanobu (Matthi Forrer) |
11 |
: |
30-31 |
|
Gribbin, Jill and David |
Japanese antique dolls (Ken Vos) |
29 |
: |
84-85 |
|
Guillaud, Maurice (ed.) |
Hokusai et son temps (R. de Bruijn) |
1 |
: |
4-8 |
|
Harris, Victor |
The Hull Grundy collection in the British Museum (M.J. Eijer) |
25 |
: |
24-25 |
|
Harris, Victor |
Shintô - The sacred art of ancient Japan (Mark Teeuwen) |
74 |
: |
36-38 |
|
Haynes, Robert and Robert Burawoy |
100 selected tsuba from European public collections (L.C. Duindam) |
16 |
: |
14-15 |
|
Helmert-Corvey, Theodor (ed.) |
Das ding am Gürtel. Japanische medizin-döschen aus der Sammlung Heinz und Else Kress (Jan Dees) |
57 |
: |
38-39 |
|
Hillier, Jack |
The art of Hokusai in book illustration (R. de Bruijn) |
1 |
: |
23-25. |
|
Hillier, Jack |
The art of the Japanese book (Matthi Forrer) |
26 |
: |
54-57 |
|
Hillier, J. and L. Smith |
Japanese prints: 300 Years of albums and books (H.M. Kaempfer) |
1 |
: |
17 |
|
Hockley, Allen |
The prints of Isoda Koryûsai: Floating World culture and its consumers in eighteenth-century Japan (James King) |
75 |
: |
55-58 |
|
Honolulu Academy of Arts |
Kabuki through theater prints (exh. cat.). The James A. Michiner collection (Henk Herwig) |
40 |
: |
129-130 |
|
Hutt, Julia |
Japanese inrô (Jan Dees) |
59 |
: |
29-31. |
|
Izzard, Sebastian |
Kunisada’s World (Tim Clark) |
47 |
: |
104-108 |
|
Jenkins, Donald |
Images of a changing world. Japanese prints of the 20th century (Robert Schaap) |
11 |
: |
31-31 |
|
Koyama-Richard, Brigitte |
Japon rêvé
Edmond de Concourt et hayashi Tadamasa (Arendie Kempers) |
78 |
: |
44-46 |
|
Keyes, Roger S. |
Surimono. Privately published Japanese prints in the Spencer Museum of Art (Matthi Forrer) |
15 |
: |
17-18 |
|
Keyes, Roger S. (ed.) |
Japanese woodblock prints. Mary A. Ainsworth collection. (C. van Rappard-Boon) |
19 |
: |
62-64 |
|
Keyes, Roger S. |
Ehon, The artist and the book in Japan (Chris Uhlenbeck) |
83 |
: |
58-62 |
|
Klefisch, Trudel (ed.) |
Die Kunst der Samurai (L.C. Duindam) |
16 |
: |
15-16 |
|
King, James and Yuriko Iwakiri |
Japanese Warrior Prints 1646-1905 (Johan Somerwil) |
83 |
: |
63-66 |
|
Kita, Sandy |
The last Tosa, Iwasa Matabei, bridge to ukiyo-e (Lee Bruschke-Johnson) |
65 |
: |
35-36 |
|
Kodansha Ltd. |
Masterpieces of Japanese art (Wim de Hoop) |
63 |
: |
39-41 |
|
Kodansha, international Ltd. |
Japanese art -The great European collections & Ukiyo-e paintings in Japanese collections (Robert Schaap) |
59 |
: |
32-35 |
|
Kondo, Eiko (et al.) |
Il teatro Kabuki nelle xilografie del periodo Edo (H.R.W. Kühne) |
15 |
: |
16-17 |
|
Kress, Else & Heinz |
Inrô of the Ryûkyûs. Lacquered medicine containers (Jan Dees) |
74 |
: |
38-40 |
|
Kress, Else & Heinz |
Inrô shita-e. Design Drawings from a Japanese Lacquer Workshop (Jan Dees) |
79 |
: |
47-50 |
|
Joseph Kurstin |
Miniature masterpieces. The storytelling art of Japanese inrô. Selected objects from the collection of Joseph Kurstin (Johan Somerwill) |
67 |
: |
26 |
|
Lancman, E. and P. Rosenberg |
Fukei - landscapes and views - prints (Robert Schaap) |
15 |
: |
19-20 |
|
Lane, Richard |
Hiroshige: ‘Kambara’ - The anatomy of a Japanese print (Donald Richie) |
21 |
: |
23-24 |
|
Lane, Richard |
Hokusai life and work (Eric van den Ing) |
35 |
: |
99 |
|
Lane, Richard |
Teihon ukiyo-e shunga meihin shûse i (Eric van den Ing) |
54 |
: |
36 |
|
Lane, Richard |
Shunga series (Eric van den Ing) |
62 |
: |
33-35 |
|
Lane, Richard |
Strangers in paradise: the foreign image in Japanese art and shunga (Margarita Winkel) |
61 |
: |
34-36. |
|
Lawrence, Louis |
Hirado: Prince of porcelains (Encyclopedia of Japanese Art Series) (Menno Fitski) |
68 |
: |
38-40 |
|
Leiter, Samuel L. |
New kabuki encyclopedia; a revised adaptation of Kabuki jiten (Henk Herwig) |
61 |
: |
33-34 |
|
Link, Howard A. |
Exquisite visions: Rimpa paintings from Japan (H.M. Kaempfer) |
2 |
: |
59-60 |
|
Link, Howard A. (ed.) |
Primitive Ukiyo-e (Heinz M. Kaempfer) |
3 |
: |
88-89 |
|
Los Angeles Country Museum |
Art of the shogun age (Robert Schaap) |
13 |
: |
28-29 |
|
Lühl, Hendrick |
Helden, Schurken, Kurtisanen. Das japanische Kabukitheater des 19.Jahrhunderts in Holzschnitten der Osakameister (Robert Schaap) |
29 |
: |
85-86 |
|
Markus, Helena |
Surimono. Stampe augurali nel Giappone del ’700 e ’800 (Matthi Forrer) |
12 |
: |
19 |
|
Matsunosuke, Nishiyama |
Edo Culture. Daily life and diversions in urban Japan, 1600-1868 (Guita Winkel) |
57 |
: |
40 |
|
MDA Museum of Art |
Modern Japanese lacquer work (Jan Dees) |
12 |
: |
18-19 |
|
Meech, Julia, and Gabriel P. Weisberg |
Japonisme comes to America. The Japanese impact on the graphic arts 1876-1925 (Arendie H. Kempers) |
43 |
: |
94-96 |
|
Meech-Pekarik, Julia |
The world of the Meiji print. Impressions of a new civilization (Eric van den Ing) |
26 |
: |
58 |
|
Merrit, Helen, and Nanko Yamada |
Woodblock kuchi-e prints. Reflections of Meiji culture (Amy Reigle Newland) |
70 |
: |
29-34 |
|
Mirviss, Joan B., and John T. Carpenter |
The Frank Lloyd Wright Collection of Surimono (Jan H. Willem Goslings) |
53 |
: |
33-34 |
|
Moog, Eike |
Bibliographisches Handbuch japanischer und chinesischer buddhistischer and shintôistischer Priester, Münche und Nonnen ... (Robert Schaap) |
56 |
: |
21-22 |
|
Murase, Miyeko |
Iconography of the tale of Genji. Genji monogatari ekotoba (Matthi Forrer) |
15 |
: |
17 |
|
Murase, Miyeko |
Tales of Japan. Scrolls and prints from the New York Public
Library (Robert Schaap) |
21 |
: |
23 |
|
Murase, Miyeko |
The Tale of the Genji. Legends and Paintings. (Arendie
Kempers) |
74 |
: |
34-36 |
|
Murase, Miyeko (ed) |
Turning point: Oribe and the arts of sixteenth-century Japan
(Menno Fitski) |
78 |
: |
39-41 |
|
Nagayama, Kokan |
The connoiseur’s book of Japanese swords (Eric van den Ing) |
59 |
: |
36 |
|
Noetzel, Otto Heinrich |
Netsuke: Geschichte, Meister, Motive (A. Horodisch) |
4 |
: |
109-111 |
|
Okada, Barbra Teri |
A Sprinkling of gold. The lacquer box collection of Elaine Ehrenkranz (Jan Dees) |
13 |
: |
27-28 |
|
Ostier, Janette (ed.) |
La voix silencieuse des choses. Nature mortes japonaises (J.H.W. Goslings) |
30 |
: |
120 |
|
Pins, Jacob |
The Japanese pillar print - hashira-e (H.M. Kaempfer) |
7 |
: |
12 |
|
Reigle Newland, Amy (edited by) |
The commercial and cultural climate of Japanese printmaking (MacKee,
Daniel) |
42 |
: |
49 |
|
Reigle Newland, Amy |
Times present and times past, Images of a forgotten master, Toyohara Kunichika, 1835-1900 (Henk Herwig) |
66 |
: |
24-27 |
|
Reigle Newland, Amy, Jan Perrée and Robert Schaap |
Crows, Cramnes & Camellias - The natural world of Ohara Koson 1877 - 1945. Japanese prints from the jan Perrée Collection (W. John Minzinga) |
71 |
: |
36-39 |
|
Reigle
Newland, Amy |
The Hotei encyclopedia of Japanese woodblock prints (Andreas Marks) |
80 |
: |
61-67 |
|
Rijksmuseum Amsterdam |
Imitation and inspiration. Japanese influence on Dutch art from 1650 to the present |
43 |
: |
97-98 |
|
Rimer, J. Tomas |
Stephen Addiss, Old Taoist. The life, art and poerty of Kodôjin (1865-1944). (Anna Beerens) |
69 |
: |
29-30 |
|
Robinson, B.W. |
Kuniyoshi and his prophet (Review of ‘Kuniyoshi. The Warrior prints’, by R. de Bruijn) |
11 |
: |
13-22 |
|
Robinson, B.W. (ed) |
Kunisada. An artist in the kabuki theatre. The Japanese prints in the Antell collection (Chris Uhlenbeck) |
25 |
: |
26-27 |
|
San’u, Aoyama et al. |
Words in motion. Moderne Japanese calligraphy (Robert Schaap) |
16 |
: |
16-19 |
|
Schaap, Robert |
Heroes & Ghosts (Merlin Dailey) |
62 |
: |
26-29 |
|
Croissant, Doris, and Misako Wakabayashi |
Japanese paintings. A selection from the Baelz collection. (Robert Schaap) |
69 |
: |
31-32 |
|
Schaap, Robert, and Eric van den Ing |
Beauty & Violence, Japanese prints by Yoshitoshi (1839-1892) (Roger Keyes) |
52 |
: |
33-35 |
|
Schindler, Werner |
Egoyomi et surimono. Calendriers et cartes de voeux (Matthi Forrer) |
12 |
: |
19 |
|
Schwaab, Dean J. |
Osaka prints (J.H. Gisolf) |
33 |
: |
26-27 |
|
Schwan, Friedrich B. |
Handbuch Japanischer Holzschnitt: Hintergründe, Techniken, Themen und Motive (Andreas Marks) |
78 |
: |
42-43 |
|
Screech, Timon |
The Western scientific gaze and popular imagery in later Edo Japan: The lens within the heart (Martha Chaiklin) |
60 |
: |
33-34 |
|
Self, James and Nobuko Hirose |
Japanese art signatures (Ken Vos) |
29 |
: |
83-84 |
|
Seton, Alistair |
Collecting Japanese Antiques (Johan Somerwil) |
79 |
: |
51 |
|
Sharf, Frederic A. |
Takejiro Hasegawa Meiji Japan’s preeminent publisher of wood-block-illustrated crepe-paper books (Chris Uhlenbeck) |
52 |
: |
37 |
|
Shimizu, Yoshiaki and John M. Rosenfield |
Masters of Japanese calligraphy, 8th-19th century (Robert Schaap) |
16 |
: |
16-19 |
|
Shindô, Shigeru |
Kunisada - the kabuki actor portraits (Ellis Tinios) |
51 |
: |
35-36 |
|
Smith II, Henri D. |
Hiroshige. One hundred famous views of Edo (Robin Kennedy) |
33 |
: |
25 |
|
Smith II, Henry D. |
Kiyochika. Artist of Meiji Japan (G. C. Uhlenbeck) |
30 |
: |
115 |
|
Smith, Lawrence |
The Japanese print since 1900. Old dreams and new visions (Robert Schaap) |
11 |
: |
32 |
|
Smith, Lawrence |
Japanese popular prints
From votive slips to playing cards (Rebecca Salter) |
82 |
: |
73-76 |
|
Stephens, Amy Reigle (ed.) |
The new wave - Twentieth century prints from the Robert O. Muller Collection (Edmond S. Freis) |
44 |
: |
122-124 |
|
Stevenson, John |
Japanese kite prints: Selections from the Skinner Collection (Daniel Mckee) |
78 |
: |
30-36 |
|
Stevenson, John |
Yoshitoshi’s thirty-six ghosts (Robert Schaap) |
12 |
: |
20-21 |
|
Stevenson, John |
Yoshitoshi’s One hundred aspects of the moon (Scott McDonald) |
44 |
: |
120-121 |
|
Stiftung Museum Schloss Moyland and Hotei Publishing |
Haiku & Haiga - Moments in Word and Image. Four centuries of
Japanese Scroll Paintings form the Jon de Jong Collection.
(Thomas Hirsch) |
81 |
: |
73-79 |
|
Tazawa, Yutaka (ed.) |
Biographical dictionary of Japanese art (Matthi Forrer) |
11 |
: |
30 |
|
Tikotin Museum of Japanese Art |
Kabuki prints - ukiyo-e - yakusha-e (G.C. Uhlenbeck) |
12 |
: |
19-20 |
|
van Assche, Annie M. |
Avvolti nel mito. Tessuti e costumi tra cettecento e novecento. Dalla collezione Montgomery (Victor M. Schmidt) |
79 |
: |
52:57 |
|
Various authors |
Japan style (Heinz M. Kaempfer) |
1 |
: |
11 |
|
Trinh, Dr. de. Khanh and others ... |
Edo on a mouse click. The picture scroll Kidai shôran (Degener, Rolf) |
77 |
: |
35-41 |
|
Various authors |
Japanese ink painting (Heinz M. Kaempfer) |
19 |
: |
62 |
|
Various authors |
Namban ou de l’Européisme japonais (Heinz M. Kaempfer) |
1 |
: |
11 |
|
Vergez, Robert |
Early ukiyo-e master: Okumura Masanobu (Matthi Forrer) |
30 |
: |
30-31 |
|
Victoria and Albert Museum |
Japan style (review of exhibition catalogue, Victoria and Albert museum exhibition, May-July 1980, by H.M. Kaempfer) |
1 |
: |
11 |
|
Wilson, Richard L. |
The potter's brush: The Kenzan Style in Japanese ceramics (Menno Fitski) |
78 |
: |
37-39 |
|
Winkel, Margarita |
Souvenirs from Japan, Japanese photography at the turn of the century (Herman J. Moeshart) |
41 |
: |
27-28 |
|
Woodson, Yoko |
Hokusai and Hiroshige: Great Japanese prints from the James A. Michener Collection (John Fiorillo) |
62 |
: |
29-33 |
|
Wrangham, E.A. |
The index of inrô artists (Jan Dees) |
54 |
: |
34-35 |
|
Yamanashi Prefectural Museum |
Exhibition catalogue ‘Kawase Hasui’ (Karel Hellemans) |
38 |
: |
71 |
|
Zacken, Wolfmar |
Welten auf einem Knebel (A. Horodisch) |
15 |
: |
18-19 |
Back to top
Exhibition and Symposium Reviews
| Author |
Title |
No |
: |
Page(s) |
|
Bruijn, R. de |
Three days in Paris |
1 |
: |
4-8 |
|
Forrer, Matthi |
Galerie Huguette Beres: Sharaku |
1 |
: |
9-10 |
|
Ing, Eric van den |
Nihon no Hanga
A new and exiting privat museum |
86 |
: |
47-53 |
|
Kaempfer, H.M. |
Namban ou de l’europeisme Japonais |
1 |
: |
11 |
|
Uhlenbeck, Chris |
1987 symposium on the Meiji period |
27&28 |
: |
61 |
|
Ujlaki, Peter |
Osaka kabuki at the British Museum
Quantum jumps in the print field |
82 |
: |
56-72 |
Back to top
Ceramics
| Author |
Title |
No |
: |
Page(s) |
|
Allison, Louise Cort |
Japanese collections in the Freer Gallery of Art: Seto and Mino ceramics (Len Spanjer) |
45 |
: |
38-39 |
|
Andacht, Sandra |
Banko wares |
24 |
: |
99-103 |
|
Andacht, Sandra |
Satsuma of the Edo period |
23 |
: |
69-73 |
|
Andacht, Sandra |
Sumidagawa wares |
26 |
: |
49-51 |
|
Daalen jr., J. van |
Lids, boxes, and bags, some notes on a collection of tea-ceramics |
5 |
: |
18-22 |
|
Fitski, Menno |
Ceremics for the Japanese tea ceremony in the Rijksmuseum
The collection of Herman Karel Westendorp |
86 |
: |
27-34 |
|
Fitski, Menno |
Porcelains for Holland, 1657-1862 |
46 |
: |
44-52 |
|
Kerlen, Henri |
Imari marks and their origin |
76 |
: |
15-37 |
|
Pollard, Clare |
Japanese ceramics at overseas exhibitions during the Bakumatsu period |
46 |
: |
53-63 |
|
Silverman, Richard R. |
An over-all view of Japanese ceramics and how they relate to netsuke |
14 |
: |
1-9 |
|
Suchomel, Filip |
Two objects in Czech collections from the Makuzu Kozan studio |
56 |
: |
12-17 |
Back to top
Front Cover
| Author |
Title |
No |
: |
Page(s) |
|
Baten, Lea |
The-doll-with-many-names |
50 |
: |
77-78 |
|
Baten, Lea |
A pair of Yamato dolls (editorial correction) |
51 |
: |
37 |
|
Bincsik, Monica |
The Japanese incense culture and its related implements,
focusing on maki-e lacquer |
82 |
: |
25-43 |
|
Campen, Jan |
Japanese treasures from Sumatra's West coast
Japanese porcelain from the Verbeek Collection |
74 |
: |
5-20 |
|
Carpenter, John T. |
Edo actors in Osaka prints: Surimono by Ukiyo Utayoshi |
72&73 |
: |
95-101 |
|
Dees,Jan |
Treasure your storage boxes
Tomobako for lacquer objects as carriers of historical data |
79 |
: |
5-21 |
|
Dees, Jan, and Arisumi Mitamura |
Pipe cases by Ikeda Taishin
The discovery of an album of charcoal rubbings |
69 |
: |
5-18 |
|
Dees, Jan,
and J. van Daalen |
A green kôdansu by Yanagisawa Ippô |
55 |
: |
26-28 |
|
Eijer, M.J. |
Tiger in a storm; kagamibuta by Shôgyoku |
30 |
: |
120-121 |
|
Fiorillo, John |
Eizan: Putting on a new face
A mirror of fûryû, asobi and iki |
71 |
: |
5-24 |
|
Forrer, Matthi |
Raku white mizuire by Keiko Hasegawa |
24 |
: |
107 |
|
Forrer, Matthi |
The
spectre of a lady emerging from a painting; painting by Kawanabe Kyôsai |
31 |
: |
146 |
|
Forrer, Matthi |
Woman cleaning iron pot by the side of a lake; painting by Totoya Hokkei |
29 |
: |
87 |
|
Forrer, Matthi |
A metalwork charger (after a Kyôsai design) cast in high relief with details gilt and silvered |
45 |
: |
34-35 |
|
Forrer, Matthi |
Long leg and long arm out fishing |
57 |
: |
4 |
|
Green, William |
Darkness and the sounds of the music blind musicians of Tokugawa Japan seen in ukiyo-e |
68 |
: |
5-23 |
|
Herwig, Henk |
The author Segawa Kikunojô V as Ama Myôchin, by Kunisada II |
58 |
: |
33-36 |
|
Herwig, Henk J. |
A nô actor performing the role of Kiyohime in the dance, Dôjôji (woodblock print by Tsukioka Kôgyo) |
46 |
: |
73-75 |
|
Kleijn, Robert B. |
Cock on a
drum print by Yashima Gakutei |
36 |
: |
135-136 |
|
Kleijn, Robert B. |
Hamada Shôji, artist an artisan |
86 |
: |
5-26 |
|
Korteling, Gerrit Jan |
Collecting ‘vertically or horizontally’ (tsuba) |
62 |
: |
24-25 |
|
Kress, Else |
A shrine inrô |
42 |
: |
54 |
|
Linhardt, Sepp |
Pictorial representation of the ken-game during the Edo and Meiji periods |
67 |
: |
5-21 |
|
Marks, Andreas |
When the Shogun travels to Kyoto
The great processional Tôkaidô
series |
81 |
: |
5-44 |
|
Mensink, Onno |
Nô-hayashi:
the musical instruments of the nô-theatre |
43 |
: |
93 |
|
Neumann, Dietrich, & Robert Schaap |
Kachô-e by Seiko
compared with Watanabe Seitei's illustrated books on birds and flowers |
76 |
: |
40-50 |
|
Schaap, Robert |
The actor Ichikawa Yaozo IV in shibaraku; print by Utagawa Toyokuni |
21 |
: |
32-33 |
|
Schaap, Robert |
The actor Kataoka Nizaemon as Honzô; print by Natori Shunsen |
38 |
: |
69-70 |
|
Schaap, Robert |
Shikishiban surimono depicting Asahina showing his strength to an oni by Totoya Hokkei |
52 |
: |
41 |
|
Schaap, Robert |
Shikishiban surimono of the actor Ichikawa danjûrô IV by Toyokuni I |
56 |
: |
23 |
|
Schiermeier, Kris |
Western inspiration in a print by Yoshitoshi: Yamauba and Kaidômaru |
66 |
: |
18-23 |
|
Schmidt, Victor M. |
A jumping carp by Yamamota Shunkyo and Paul Claudel |
78 |
: |
5-11 |
|
Star, René van der |
The kirin and the hô; an inrô by Koma Koryu |
37 |
: |
36-37 |
|
Star, René van der |
A tobacco container in the shape of a baku by Minkoku |
26 |
: |
52-53 |
|
Sepp, Linhart |
Kuniyoshi's ken caricatures between 1847 and 1853 |
83 |
: |
5-29 |
|
Suchomel, Philip |
Lyricism amid the cannon salvos
A few notes on Japanese prints with the theme of the Sino-Japanese war in the collection of the National Gallery and Náprestek Museum in Prague |
70 |
: |
5-16 |
|
Tinios, Ellis |
Half-length portrait of Ichikawa Danjûrô |
40 |
: |
127-128 |
|
Uhlenbeck, Chris |
The actor Kawarazaki Gonnosuke as Kumagae Jirô Naozane; print by Utagawa Yoshiike |
27&28 |
: |
124 |
|
Ujlaki, Peter |
The Gion Parade stencil prints |
63 |
: |
5-16 |
|
Vos, Ken |
Beetle on tooth; netsuke by Shimizu Onoe |
23 |
: |
74 |
|
Vos, Ken |
Decorative firehook |
33 |
: |
23 |
|
Vos, Ken |
Hina representing the Emperor; early nineteenth century doll |
34 |
: |
62 |
|
Vos, Ken |
Dish with stylized lotus flower decoration: underglaze blue and white Nabeshima porcelain |
41 |
: |
26 |
|
Vos, Ken |
Two toads on a broken bucket (a netsuke by Masanao) |
48 |
: |
141 |
|
Wetherall, William & Mark Schreiber |
News nishiki-e
An arranged mariage that didn't last |
80 |
: |
5-24 |
|
Witsenburg,
Jürgen J. |
Three kozuka, by Tsunechika, Miboku Masayuki and Hamano Teruaki |
35 |
: |
94-95 |
Back to top
History and Art-history
| Author |
Title |
No |
: |
Page(s) |
|
Bincsik, Monika |
Collecting Japanese art in Hungary around the turn of the 20th century |
80 |
: |
32-45 |
|
Bremen, Jan van |
Grains of permanence. Japanese collections and cultural anthropology in The Netherlands |
29 |
: |
75-78 |
|
Bruijn, R. de |
Fujiyama and Eiffel Tower |
33 |
: |
18-22 |
|
Dam, Peter van |
The Royal Bazar of Dirk Boer |
25 |
: |
16-19 |
|
Dubois, Joseph |
Léon de Rosny and the beginning of Japanese studies in France |
45 |
: |
30-33 |
|
Fagioli, Marco |
The history of ukiyo-e between French taste and German philology |
50 |
: |
11-14 |
|
Fiorillo, John |
The beauty of cruelty
The origins of Danshichi and his evolution as a tattooed
anti-hero natsu matsuri |
87 |
: |
27-43 |
|
Frolet, Elizabeth |
Yanagi Sôetsu, ou les idéaux d’une pensée nourrie par l’est et l’ouest |
31 |
: |
125-134 |
|
Gullik, Willem van |
Japan Tattoo, a brief history of its origins and development. |
87 |
: |
7-17 |
|
Halén, Widar |
Japan Mania. Collecting of Japanese art around the Meiji Restoration |
27&28 |
: |
112-123 |
|
Hasegawa, Sakae |
The Kiritsu Kôshô Kaisha. The organisation and activities of a group of craftsmen in the early Meiji period |
36 |
: |
121-131 |
|
Hillier, Jack |
Overcoming the post-war hostility to Japanese art |
50 |
: |
24 |
|
Honcoopová, Helena |
On Czech collections of Japanese Art |
77 |
: |
5-17 |
|
Johnson, Horiko |
Dutch influence on Japanese art: Kaitai shinso (New book of anatomy) and Akita ranga |
64 |
: |
12-25 |
|
Kaempfer, Raymond |
Growing up under the scrutiny of a great Japanese lady |
50 |
: |
25-27 |
|
Karamandou, Aglaia |
Gregorios Manos and the Corfu Museum of Asian Art |
79 |
: |
33-39 |
|
Klein, P.W. |
Continuity and change in the economics of Meiji Japan |
27&28 |
: |
68-72 |
|
Lane, Richard |
Early photography and the decline of ukiyoe |
27&28 |
: |
103-111 |
|
Lane, Richard |
Moronobu: 300 years - The Japanese can’t say ‘yes’ |
48 |
: |
135-137 |
|
Nute, Kevin |
Frank Lloyd Wright and the woodblock print: the geometric abstraction of natural, manmade, and social forms |
45 |
: |
3-14 |
|
Nute, Kevin |
Frank Lloyd Wright and the architectural implecations of
Hiroshige's pictorial space |
84 |
: |
75-86 |
|
Oikawa, Shigeru |
Kyôsai at the British Museum |
49 |
: |
42-45 |
|
Poysden, Mark |
Japanese tattooing today |
87 |
: |
44-56 |
|
Shaver, Synthia |
Colourful Edo: fire and cloth |
64 |
: |
5-11 |
|
Siegenthaler, Peter |
The ningen kokuhô. A new symbol for the Japanese Nation |
62 |
: |
3-16 |
|
Skibbe, Eugene M. |
The American travels of Yoshida Hiroshi |
43 |
: |
59-74 |
|
Skibbe, Eugene M. |
Yoshida Toshi 1911-1995: Diversity, change and continuity in the Yoshida art tradition |
53 |
: |
3-14 |
|
Somerwil, Johan |
Jizô bosatsu
Guardian of children and travellers |
79 |
: |
40-46 |
|
Somerwil, Johan |
Kangi-ten the secret deity |
80 |
: |
46-47 |
|
Vos, F. |
Japanese culture in an age of transition |
27&28 |
: |
62-67 |
Back to top
Lacquer
| Author |
Title |
No |
: |
Page(s) |
|
Barchalla, Susanne |
Japanese lacquerware |
69 |
: |
19-26 |
|
Dees, Jan |
Chinkinbori, gold engraving in lacquerware. A literature
study |
34 |
: |
47-58 |
|
Dees, Jan |
Chrysanthemums under the eastern hedge. Ogawa Shômin’s taste for ancient lacquers |
32 |
: |
160-167 |
|
Dees, Jan |
Continuity and change in Japanese lacquer art during the Meiji and Taisho periods |
27&28 |
: |
86-94 |
|
Dees, Jan |
Imperial lacquer boxes by Akatsuka Jitoku |
30 |
: |
103-110 |
|
Dees, Jan |
The tales of Ise in lacquerware design |
38 |
: |
43-59 |
|
Dees, Jan |
Shells on Sumiyoshi’s shore |
43 |
: |
88-91 |
|
Dees, Jan |
Ganshôsai Shunsui, an early 20th century lacquer artist |
51 |
: |
12-26 |
|
Dees, Jan |
Akatsuka jitoku in Buckingham Palace |
57 |
: |
3-12 |
|
Dees, Jan and René van der Star |
Uzawa Shôgetsu. Fiftysix lacquer objects in the Baur collection |
22 |
: |
49-56 |
|
MDA Museum of Art |
Modern Japanese lacquer work (Jan Dees) |
12 |
: |
18-19 |
|
Morena, Francesco |
Chinese and Japanese lacquers from the Medici Collection |
|
|
|
|
Okada, Barbra Teri |
A sprinkling of gold. The lacquer box collection of Elaine Ehrenkranz (Jan Dees) |
13 |
: |
27-28 |
|
Skiersobolski, Carole |
Lacquered netsuke: An attempt at understanding |
15 |
: |
15 |
|
Viallé, Cynthia |
Rarities from Japan - part 1. The lacquerwares in three early nineteenth century Dutch collections |
17 |
: |
16-20 |
|
Viallé, Cynthia |
Rarities from Japan (part 2). The lacquerwares in three early nineteenth century Dutch collections |
19 |
: |
45-61 |
|
Yoshikawa, Hideki |
The Somada lacquer workshop at Toyama. Part I |
76 |
: |
5-14 |
|
Yoshikawa, Hideki |
The Somada lacquer workshop at Toyama. Part II |
77 |
: |
27-34 |
Back to top
Letters to the Editor
| Author |
Title |
No |
: |
Page(s) |
|
Bruijn, R. de |
Still dangling in the air. Off the top of my head (reaction to Richard Lane) |
49 |
: |
49-50 |
|
Collia-Suzuki, Gina |
Jack and Mary Hillier as I remember them
A very personal tribute |
65 |
: |
33-34 |
|
Culture Communication Fund |
The opening of the Japanese ‘Library of Art’ in Amsterdam |
59 |
: |
24 |
|
Editorial |
Reply Skiersobolski: too many articles on prints |
12 |
: |
22 |
|
Formanek, Susanne and Sepp Linhart |
A rejoinder to William Wheterall's book review of Written
Texts - Visual Texts in Andon 80 |
83 |
: |
47-48 |
|
Gisolf, J.H. |
Do fine feathers make fine birds? (Osaka costume) |
44 |
: |
119 |
|
Kaempfer Fund |
Jury report of the Heinz Kaempfer Fund essay contest |
46 |
: |
43 |
|
Kazmierczak, Lothar |
An unknown Japanese Meiji (?) painter |
52 |
: |
40 |
|
Kempers, Arendie H. |
Once upon a time... (contributions on Endô Moritô) |
44 |
: |
119 |
|
Lane, Richard |
Letter on Societies’ Meiji exhibition and proposition Heinz
Kaempfer Fund |
22 |
: |
56 |
|
Lane, Richard |
Teenage mutant ninja: the book (reaction to Stephen Turnbull) |
42 |
: |
53 |
|
Lane, Richard |
Response on the ‘Osaka costume’ question of Mr. Gisolf |
47 |
: |
103 |
|
Lane, Richard |
Response to ‘Harunobu’ question of Mr. de Bruijn |
47 |
: |
102 |
|
Levine, Edna S. |
Letter on William Green’s minibiographies. |
15 |
: |
20 |
|
Levitz, Martin |
Comment on Gisolf’s review of ‘Osaka prints’ |
35 |
: |
95 |
|
Matsudaira, Susumu |
Response to the ‘Osaka costume’ question of Mr. Gisolf |
47 |
: |
103 |
|
Preker, Wilhelm |
A Kinkôzan vase and Colenbrander |
52 |
: |
40 |
|
Price, Joe D. |
Response to Richard Lane’s ‘Romancing the print’ (Andon 53) |
54 |
: |
27 |
|
Sandfield, Norman L. |
A manju revisited (response to Kempers and Somerwil’s Endô
Moritô) |
59 |
: |
28 |
|
Skiersobolski, Carole |
Letter: too many articles on prints |
12 |
: |
22 |
|
Somerwil, Johan |
Endô Moritô again (response to Kempers’ Once upon a time...Endô
Moritô) |
58 |
: |
32 |
|
Spanjer, Len |
Response to shita-uri seal question of Mr. Wilmes |
49 |
: |
48 |
|
Ujlaki, Peter |
Stars from the stage in Osaka (reaction to Matthi Forrer) |
49 |
: |
50 |
|
Ujlaki, Peter |
The view from Japan |
62 |
: |
22 |
|
Wilmes, Helmut |
Shita-uri seals |
49 |
: |
48 |
|
Wilmes, Helmut |
A remarkable Tôkaidô set 2 - Some further remarks (response
to de Bruyn’s Tôkaidô) |
60 |
: |
35-38 |
|
Wilmes, Helmut |
Some remarks to Andon 66, pp. 18ff |
67 |
: |
22 |
|
Wilmes, Helmut |
Some thoughts about Ganku's plumtrees (Andon 67, pp.
23ff) |
68 |
: |
36 |
Back to top
Netsuke, inrô and ojime
| Author |
Title |
No |
: |
Page(s) |
|
Arakawa, H |
Concerning lacquer techniques and the origin of the inrô |
9 |
: |
1-8 |
|
Bushell, Raymond |
QA |
24 |
: |
97-98 |
|
Eijer, Dieuwke |
Shûraku, a problem of identities |
40 |
: |
93-104 |
|
Groenewegen, Peter |
Photography of prints and small objects |
42 |
: |
43-49 |
|
King, David Hyatt |
Early 19th century porcelain netsuke in the National Museum
of Ethnology, Leiden |
30 |
: |
91-98 |
|
Kinsey, Robert O. |
Ojime. An introduction |
39 |
: |
95-100 |
|
Kress, Else |
Inrô made in the Ryûkyûs |
47 |
: |
79-87 |
|
Kress, Else |
Two ceramic inrô by Ken'ya |
70 |
: |
26-28 |
|
Lane, Richard |
Sugimura’s time capsule |
49 |
: |
46-47 |
|
Silverman, Richard R. |
Modern netsuke in traditional style |
2 |
: |
44-52 |
|
Silverman, Richard R. |
An over-all view of Japanese ceramics and how they relate to netsuke |
14 |
: |
1-9 |
|
Skiersobolski, Carole |
A few notes concerning Kokusai |
4 |
: |
107-108 |
|
Skiersobolski, Carole |
The frog and the toad as seen through netsuke craft |
12 |
: |
11-13 |
|
Skiersobolski, Carole |
Lacquered netsuke: An attempt at understanding |
15 |
: |
15 |
|
Reuss, Margrit & Farideh Fekrsanati |
Caring for Netsuke |
81 |
: |
45-65 |
Back to top
Paintings and Drawings
| Author |
Title |
No |
: |
Page(s) |
|
Bruijn, R.
de |
Crow or
nightjar? |
10 |
: |
15 |
|
Dashkevich-Purto, Victoria |
Kawahara
Keiga in the Hermitage Museum |
35 |
: |
67-75 |
|
Dorhout,
Marten |
Early
European influences on Japanese pictorial art |
48 |
: |
113-134 |
|
Draak, Maartje |
Hokusai in Western appreciation |
8 |
: |
3-7 |
|
Fagioli,
Marco |
Kuniyoshi:
an appreciation of his drawings |
21 |
: |
3-13 |
|
Gulik,
Willem van |
Hokusai’s
Dutch connection |
8 |
: |
8-24 |
|
Ing, Eric
van den |
Multiple
paintings |
59 |
: |
25-27 |
|
Ing, Eric
van den |
Researching a Shuntei painting |
58 |
: |
37-41 |
|
Ing, Eric
van den |
One of
Seihô’s lions |
61 |
: |
3-13 |
|
Jong, Jon de |
Kishi Ganku: one date and two plums |
67 |
: |
23-25 |
|
Jong, Jon de |
Gassaku, Japanese co-productions |
76 |
: |
51-61 |
|
Kerlen, Hendrik |
Sukenobu's colours |
70 |
: |
17-25 |
|
Keyes,
Roger S. |
The second
Hokusai |
8 |
: |
38-48 |
|
Korteling,
Gerrit Jan |
A
collector’s lament |
50 |
: |
30-32 |
|
Matsudaira,
Susumu |
Hokusai’s
visit to Nagoya |
8 |
: |
25-29 |
|
Meritt,
Helen, and Nanako Yamada |
Yumeji’s
Twelve views of Nagasaki |
51 |
: |
5-11 |
|
Morse,
Peter |
Additional
drawings in Hokusai's 'Hundred poets’ series |
42 |
: |
50-52 |
|
Oikawa,
Shigeru |
Kyôsai at
the British Museum |
49 |
: |
42-45 |
|
Oikawa,
Shigeru |
Discovery
of good fortune? Ten years with Kyôsai paintings |
50 |
: |
45-47 |
|
Reigle Newland, Amy |
'The Courtisane Takao' by Toyohara Kunichika |
83 |
: |
30-32 |
|
Schmidt, Victor M. |
Chinnen's Mount Fuji |
86 |
: |
54-61 |
|
Skibbe,
Eugene M. |
The
American travels of Yoshida Hiroshi |
43 |
: |
59-74 |
|
Tinios, Ellis |
Ancient and modern ways of handling the brush. A didactic
hand scroll by Kawamura Bumpô |
77 |
: |
18-26 |
|
Tweel, L.H. van der |
Pictorial
characteristics and the ascription of ukiyo-e |
6 |
: |
22-24 |
|
Tweel, L.H. van der |
The
scientist and the connoisseur, will they ever meet? |
11 |
: |
27 |
|
Wilmes, Helmut |
The blind as metaphorical subjects in the pictorial arts of
Japan |
71 |
: |
32-35 |
Back to top
Prints and
Illustrated Books
| Author |
Title |
No |
: |
Page(s) |
|
Abe, Setsuko |
Yamamoto Shôun. Prints of beautiful women of new customs and
manners |
41 |
: |
19-21 |
|
Akifumi, Nakade, & Peter Ujlaki |
A brief overview of Kamigata stencil prints |
72&73 |
: |
34-51 |
|
Bickford, Lawrence R. |
The anatomy of a Shunshô masterpiece |
25 |
: |
9-15 |
|
Bickford, Lawrence R. |
The decadent period of criticism in ukiyo-e scholarship |
13 |
: |
25-26 |
|
Bickford, Lawrence R. |
On Shunei |
7 |
: |
20 |
|
Bickford, Lawrence R. |
Prussian bluc and the dating of Hokusai’s Fuji series |
25 |
: |
20-21 |
|
Bickford, Lawrence R. |
A reply to Mr. Tinios |
24 |
: |
83-85 |
|
Bickford, Lawrence R. |
Shunei’s early career |
4 |
: |
101-106 |
|
Bickford, Lawrence R. |
Toyokuni II revisited |
22 |
: |
37-48 |
|
Bickford, Lawrence R. |
Will the real Toyokuni II please stand up? |
6 |
: |
10-19 |
|
Bickford, Lawrence R. |
The Toyokuni signature confusion |
53 |
: |
15-22 |
|
Bickford, Lawrence R. |
Wrestler print studies |
50 |
: |
5-7 |
|
Bickford, Lawrence R. |
Reply to Mr. Hendrick Lühl |
56 |
: |
18-20 |
|
Bickford, Rochelle Wexier |
Identification of Prussian blue |
34 |
: |
61-62 |
|
Bruijn, R. de |
Bunchô once more |
2 |
: |
55-56 |
|
Bruijn, R. de |
An exhibition of fan-prints by Hiroshige |
7 |
: |
3-12 |
|
Bruijn, R. de |
Further considerations on Ippitsusai Bunchô |
6 |
: |
20-21 |
|
Bruijn, R. de |
Hokusai’s last great series |
38 |
: |
60-66 |
|
Bruijn, R. de |
A rare chûban print by Bunchô |
31 |
: |
144-145 |
|
Bruijn, R. de |
Two rare prints by Hokusai |
36 |
: |
132-134 |
|
Bruijn, R. de |
Under the spell of Japanese art |
50 |
: |
8-10 |
|
Bruijn, Rob de |
A remarkable Tôkaidô set |
57 |
: |
13-20 |
|
Chaiklin, Martha |
Off the block. A new look at the origins of Nagasaki prints |
66 |
: |
13-17 |
|
Delpy, Fabienne |
Human figures in Hokusai's Thirty six views of Mount Fuji |
68 |
: |
24-35 |
|
Doesburg, Jan van |
New aspects in the field of Osaka chûban prints |
10 |
: |
5-9 |
|
Doesburg, Jan van |
Utagawa Sadamasu, creator of the Osaka chûban style |
36 |
: |
111-120 |
|
Doesburg, Jan van |
Osaka tattoos |
72&73 |
: |
102-114 |
|
Dorhout, Marten |
Early European influences on Japanese pictorial art |
48 |
: |
113-134 |
|
Draak, Maartje |
Hokusai in Western appreciation |
8 |
: |
3-7 |
|
Fagioli, Marco, and Mario A. Materassi |
A variant impression of Hiroshige’s Ôhashi |
15 |
: |
10-12 |
|
Fiorillo, John |
Poetry, emotion, and form in Utamaro’s Tôsei koika hakkei |
52 |
: |
5-17 |
|
Fiorillo, John |
Tragedy and laughter in the floating world: shinjû in the
works of Utamaro and Kyôden |
54 |
: |
3-23 |
|
Fiorillo, John |
A rare surimono by Shôkôsai and its place among early Osaka
actor portraits |
57 |
: |
21-37 |
|
Fiorillo, John |
Hirosada: Prints and drawings for the tale of Usuyuki and
Chûkô buyûden |
59 |
: |
3-23 |
|
Fiorillo, John |
Refashioning the legends of Komachi |
63 |
: |
17-30 |
|
Fiorillo, John |
Ireki and the marketing of an artist |
81 |
: |
66-72 |
|
Fiorillo, John and Hendrick Lühl |
Enjaku (special Andon edition, Dec. 2006) |
SP |
: |
1:135 |
|
Fiorillo, John, Richard Hashimoto and Sarath Menon |
An electron transmission analysis of metallic particles in
nineteenth century Japanese woodblock prints |
65 |
: |
5-17 |
|
Fiorillo, John, and Peter Ujlaki |
Ryûsai Shigeharu: 'Quick change' dances in the Uteamon
tradition |
72&73 |
: |
115-135 |
|
Forrer, Matthi |
The Asahina long surimono |
2 |
: |
53-54 |
|
Forrer, Matthi |
Collectors’ seals |
12 |
: |
1-10 |
|
Forrer, Matthi |
Dreaming of Fuji, falcon and eggplant |
21 |
: |
14-18 |
|
Forrer, Matthi |
The effects of the Tenpô crisis upon the publication of
illustrated books by Hokusai and his school |
8 |
: |
31-37 |
|
Forrer, Matthi |
Two new original surimono by Hokkei |
10 |
: |
1-4 |
|
Freis, Ed |
Seasons of the pleasure quarters |
48 |
: |
138-139 |
|
Gerstle, C. Andrew |
Representing rivalry and transition in kabuki
Arashi Kichisaburô versus Nakamura Utaemon III |
72&73 |
: |
52-64 |
|
Gisolf, J.H. |
Love cannot be explained |
50 |
: |
15-16 |
|
Goldman, Israel |
A little known print series by Utamaro |
1 |
: |
18-22 |
|
Goslings, Jan H. Willem |
Calendar prints: egoyomi and surimono |
40 |
: |
105-109 |
|
Goslings, Jan H. Willem |
Shunman’s ‘Yamabushi series’ of surimono revisited |
30 |
: |
111-114 |
|
Goslings, Jan H. Willem |
Two surimono-style shunga albums |
34 |
: |
41-46 |
|
Goslings, Jan H. Willem |
Collectors delight |
50 |
: |
17-20 |
|
Goslings, Jan Willem |
The yamabushi reunited |
53 |
: |
31 |
|
Green, William |
Lost in time: The unpublished masterpiece on Katsukawa
Shunshô |
16 |
: |
1-6 |
|
Green, William |
Poems inspired by Japanese prints |
9 |
: |
9-11 |
|
Green, William |
A rare album print by Sukenobu surfaces for study |
30 |
: |
99-102 |
|
Green, William |
A rare Hiroshige daishô surimono appears at Amherst college |
37 |
: |
34-35 |
|
Green, William |
Treasures from heaven: the children of Japan in the prints of
ukiyo-e |
20 |
: |
81-87 |
|
Green, William |
Japanese woodblock prints. A bibliography of writings from
1822-1993 entirely or partly in English text (Shulman, Philip
J.) |
47 |
: |
109 |
|
Green, William |
Any ukiyo-e |
50 |
: |
21-23 |
|
Green, William |
Shibaraku!
Reflections on viewing a masterly portrait of Danjûrô VII by
Toyokuni I |
74 |
: |
21-27 |
|
Groenewegen, Peter |
Photography of prints and small objects |
42 |
: |
43-49 |
|
Harkins, William E. |
Japanese flower prints |
33 |
: |
11-17 |
|
Harris, Frederick |
Yamamoto Shôun |
66 |
: |
28-36 |
|
Herwig, Henk |
The author Segawa Kikunojô V as Ama Myôchin, by Kunisada II |
58 |
: |
33-36 |
|
Hillier, Jack |
Illustrations of the ‘Four Seasons’ by Maruyama Ôkyo in the
Haikaika Miyako manshû |
26 |
: |
43-46 |
|
Hiroko, Kitagawa |
Notes on the sumizuri actor prints of Kyoto |
72&73 |
: |
27-33 |
|
Hockley, Allen |
Harunobu’s relationship with Hiraga Gennai |
32 |
: |
149-159 |
|
Illing, Richard C. |
Hokusai drawings, from draft to finished print |
58 |
: |
28-31 |
|
Johnson, Scott |
Sketch-tour books and prints of the early twentieth century |
37 |
: |
77-83 |
|
Kaempfer, Heinz M. |
Katsukawa Shunen: A new discovery |
3 |
: |
80-81 |
|
Kempers, Arendie H. |
Once upon a time... the story of Benkei. A personal
compilation of the events in the life of Benkei from various
sources |
39 |
: |
77-83 |
|
Kempers, Arendie H. |
Once upon a time... The story of Watanabe no Tsuna |
44 |
: |
109-118 |
|
Kempers, Arendie H. |
Once upon a time: the story of Endô Moritô and Kesa Gozen |
56 |
: |
3-11 |
|
Keyes, Keiko Mizushima |
Japanese print conservation. An overview |
33 |
: |
3-10 |
|
Keyes, Roger |
Kuniyoshi’s Low tide at Susaki, a five panel surimono |
3 |
: |
77-79 |
|
Keyes, Roger |
A note on Shunei |
6 |
: |
24-26 |
|
Keyes, Roger |
Plovers and butterflies: The Soga Brothers in Japanese prints |
5 |
: |
12-17 |
|
Keyes, Roger |
The second Hokusai |
8 |
: |
38-48 |
|
Keyes, Roger |
Tanei Seikô and his circle |
72&73 |
: |
12-26 |
|
King, James |
A constellation of sources
Shuntei, Toyokuni I and the genesis of Kuniyoshi's warrior
prints |
78 |
: |
12-21 |
|
Klompmakers, Inge |
Kuniyoshi's tattooed heroes of the Suikoden
Righteous rebels from China in Japanese prints |
87 |
: |
18-26 |
|
Kok, Daan |
Keisai Eisen and his landscapes with Dutch letter borders |
79 |
: |
22-32 |
|
Kondo, Eiko |
New woodblocks for Toyokuni III’s okubi-e actor portraits |
54 |
: |
24-26 |
|
Kousbroek, Rudy |
Kuniyoshi’s cats |
60 |
: |
24-27 |
|
Kruml, Richard |
The birth of the kentô |
31 |
: |
140-143 |
|
Kruml, Richard |
Hiroshige: A shoal of red herrings |
49 |
: |
5-41 |
|
Kühne, H.R.W. |
Kappazuri-e: Japanese stencil prints |
3 |
: |
63 |
|
Kyrova, Magda |
The nô-orchestra in print |
66 |
: |
5-10 |
|
Lane, Richard |
Eros crosses the seas: Ming erotica in Edo Japan |
20 |
: |
75-80 |
|
Lane, Richard |
From Namban to Koryûsai: the floating world of South
Kensington |
39 |
: |
84-94 |
|
Lane, Richard |
Hokusai’s exotic decade |
29 |
: |
61-74 |
|
Lane, Richard |
Hokusai’s Gothic connection: the yomihon |
24 |
: |
87-96 |
|
Lane, Richard |
Keep those hands off Toyokuni II! |
11 |
: |
23-26 |
|
Lane, Richard |
Kentô-hazure: Slightly off-register? |
34 |
: |
59-60 |
|
Lane, Richard |
Little Benkei, little Sôri: the anatomy of a surimono |
35 |
: |
91-93 |
|
Lane, Richard |
Moronobu’s ‘pillow-picture compendium’ revisited |
14 |
: |
1-13 |
|
Lane, Richard |
A note on Bunchô (part 1) |
1 |
: |
26-28 |
|
Lane, Richard |
A note on Bunchô (part 2) |
5 |
: |
3-12 |
|
Lane, Richard |
On the dating of Hokusai’s Fuji |
23 |
: |
59-65 |
|
Lane, Richard |
Shimabara and the Sumiya |
21 |
: |
19-21 |
|
Lane, Richard |
Sugimura waves, Harunobu breasts, and... Bette Davis eyes |
7 |
: |
16-19 |
|
Lane, Richard |
Sugimura’s Heike prints |
3 |
: |
69-76 |
|
Lane, Richard |
Beauties in the shade: Ukiyo-e in the decade of the 1770s |
43 |
: |
75-87 |
|
Lane, Richard |
Harunobu and before: The floating world of Cinquantenaire |
41 |
: |
3-12 |
|
Lane, Richard |
‘Love’s labour’s lost’: some dirty tricks with shunga |
45 |
: |
15-29 |
|
Lane, Richard |
Moronobu: 300 years - The Japanese can’t say ‘yes’ |
48 |
: |
135-137 |
|
Lane, Richard |
Daydreams of Kambun and Genroku |
50 |
: |
33-40 |
|
Lane, Richard |
Down and out in Blue-light Yokohama: ‘Love’s labour’s lost’
encore |
51 |
: |
27-30 |
|
Lane, Richard |
Romancing the print; ‘Image enhancement’ - on-line ukiyo-e - gender identity |
53 |
: |
23-30 |
|
Levis, Donna |
Charlie Mitchell and the ‘discovery’ of Yoshitoshi |
50 |
: |
41-42 |
|
Lotgering, F.K. |
Kuniyoshi and his publishers |
3 |
: |
82-83 |
|
Lotgering, F.K. |
Shini-e or ‘memorial portraits’ |
4 |
: |
93-100 |
|
Lotgering, F.K. |
Yakusha mitate: Tôkaidô gojûsan eki. A Tôkaidô-album by Kunisada |
13 |
: |
11-24 |
|
Lühl, Hendrick |
Osaka prints, a love affair |
50 |
: |
43-44 |
|
Lühl, Hendrick |
Toyokuni revisited...once more |
55 |
: |
29-35 |
|
Lühl, Hendrick |
Ireki in Osaka actor prints |
72&73 |
: |
65-94 |
|
Lühl, Hendrick |
Four variations of Ôboshi Rikiya Yoshikane in Kuniyoshi's
series Seichû gishi den |
83 |
: |
33-38 |
|
Marks, Andreas |
Utagawa Kunisada's reissues
A responce to John Fiorillo |
82 |
: |
50-55 |
|
Marks, Andreas |
When two Utagawa masters get together. The artistic
relationship between Hiroshige and Kunisada |
84 |
: |
33-49 |
|
Mensink, Onno |
Hachogane, ‘the musick of eight’ |
58 |
: |
3-18 |
|
Meritt, Helen |
A glimpse at nishiki-e kuchi-e by Watanabe Seitei |
62 |
: |
17-21 |
|
Morse, Peter |
Additional drawings in Hokusai’s ‘Hundred poets’ series |
42 |
: |
50-52 |
|
Nute, Kevin |
Frank Lloyd Wright and the woodblock print: the geometric abstraction of natural, manmade, and social forms |
45 |
: |
3-14 |
|
Oikawa, Shigeru |
Kawanabe Kyôsai’s paintings in Europe and the United States |
34 |
: |
31-40 |
|
Pulverer, Gerhard |
Japanese woodblock prints and impressionism |
42 |
: |
31-42 |
|
Pulverer, Gerhard |
Kyôchûzan by Kameda Bôsai |
50 |
: |
52-56 |
|
Roach, Frederik J. |
Nagasaki prints |
17 |
: |
12-15 |
|
Robinson, B.W. |
Kuniyoshi’s ‘Tôkaidô cats’ tryptich |
61 |
: |
19-25 |
|
Saunders, Rachael |
Kimono pattern books in the collection of the Museum of Fine
Arts, Boston |
83 |
: |
49-57 |
|
Salter, Rebecca |
Game over - The last days of hand-made Japanese playing cards |
83 |
: |
39-46 |
|
Schaap, Robert and Dan McKee |
Exploring uncharted aspects of Utagawa Hiroshige: an
annotated checklist of his surimono |
84 |
: |
5-32 |
|
Schweitzer, Paul R. |
The fifth image of Shunman’s Yamabushi series of surimono |
26 |
: |
47-48 |
|
Schweitzer, Paul R. |
How did these girls lose their heads? Reissue of 18th-century pillar prints with reengraved heads |
24 |
: |
104-106 |
|
Schulz, Claus-Peter |
The series Nôgaku hyakuban (100 Nô plays) by Tsukioka Kôgyo (1869-1927) |
67 |
: |
27-37 |
|
Skibbe, Eugene M. |
The artist as seer: Yoshida Hodaka 1926-1995 |
55 |
: |
3-16 |
|
Smits, Gregory |
Namazu-e: Catfish prints of 1855 |
86 |
: |
35-46 |
|
Smits, Ivo |
The poet and the demon, a Kuniyoshi print and its inspirations |
60 |
: |
30-32 |
|
Somerwil, Johan |
Kuniyoshi’s cryptogram |
60 |
: |
28-29 |
|
Somerwil, Johan |
Kuniyoshi's Taiheiki series: 50 or 51 prints? |
78 |
: |
26-29 |
|
Stevenson, John |
Acquiring a set of Fûzoku sanjûnisô |
50 |
: |
62-6 |
|
Tinios, Ellis |
The art of the onnagata in the prints of Utagawa Kunisada |
26 |
: |
31-42 |
|
Tinios, Ellis |
A footnote to Hiroshige’s Meisho Edo hyakkei |
23 |
: |
75-77 |
|
Tinios, Ellis |
How to draw actor portraits. An introduction Toyokuni’s Yakusha nigao haya-geiko |
32 |
: |
168-174 |
|
Tinios, Ellis |
The Kunisada-signature half-length actor portraits by Utagawa
Kunisada |
40 |
: |
110-126 |
|
Tinios, Ellis |
A response to Dr. Bickford |
24 |
: |
81-82 |
|
Tinios, Ellis |
The three ages of Ichikawa Danjûrô VII. Kunisada’s depiction of Danjûrô VII in youth, maturity and old age |
18 |
: |
30-34 |
|
Tinios, Ellis |
Three early uchiwa prints by Kunisada |
47 |
: |
88-93 |
|
Tinios, Ellis |
Kafuku nimpitsu |
50 |
: |
65-69 |
|
Tinios, Ellis |
Imagining China in Tokugawa Japan, China and the Chinese in Japanese books and prints, c. 1750-1850 |
58 |
: |
19-27 |
|
Tristan, Pamela de |
Care of Japanese prints |
47 |
: |
94-97 |
|
Tristan, Pamela de |
Restoration of a ‘Fuji in clear weather’ |
47 |
: |
98-101 |
|
Turnbull, Stephen |
Pictures of invisible men |
41 |
: |
13-18 |
|
Tweel, L.H. van der |
Pictorial characteristics and the ascription of ukiyo-e |
6 |
: |
22-24 |
|
Tweel, L.H. van der |
The scientist and the connoisseur, will they ever meet? |
11 |
: |
27 |
|
Twilley, John |
Pigments on Yoshitoshi triptychs. Short communication |
52 |
: |
30-32 |
|
Ujlaki, Peter, and Nakade Akifumi |
Gion nerimono prints revised: The list |
75 |
: |
5-52 |
|
Weissenberg-Deville, Julie |
Kawase Hasui and the byôdôin |
78 |
: |
22-25 |
|
Varshavskaya, Elena |
Three prints from the Taiheiki eiyûden series by Kuniyoshi |
52 |
: |
18-29 |
|
Varshavskaya, Elena |
The celestial globe as an attribute of a military strategist |
55 |
: |
17-26 |
|
Varshavskaya, Elena |
Pictorial formulae of martial attributes in Kuniyoshi’s
warrior prints |
60 |
: |
3-23 |
|
Vergez, Robert |
Book designs by Onchi, the graphic master |
35 |
: |
84-90 |
|
Vergez, Robert |
Cartoons by Kobayashi Kiyochika |
17 |
: |
7-11 |
|
Vergez, Robert |
Illustrated books and magazines by Onchi Kôshirô |
18 |
: |
23-29 |
|
Weinberg, David R. |
Putting three and three together
Discovering a Kuniyoshi polyptych (among other finds) |
80 |
: |
25-30 |
|
Wijermans, Piere and Henk Herwig |
Mitate Kokkei Chûshingura. Hiroshige's humorous parodies of
the Loyal Retainers |
84 |
: |
50-74 |
|
Yamada, Nanako |
Stepmother, stepson
Novel by Yanagawa Shun'yô
Kuchi-e by Hirezaki Eihô
Published by Kanao Bun'endô |
71 |
: |
25-31 |
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Various Crafts
| Author |
Title |
No |
: |
Page(s) |
|
Arts, P.L.W |
Tetsubin. An introduction |
36 |
: |
103-110 |
|
Borstlap, Sandra |
Japanese cloisonné |
44 |
: |
101-108 |
|
Brandes, Wilhelm |
The ancient Japanese pillar clock |
2 |
: |
31-43 |
|
Dam, Peter
van |
A
masterpiece: the twelve bronze falcons |
20 |
: |
68-71 |
|
Duindam, L.C. |
Two swords at an exhibition at Rotterdam |
15 |
: |
13-14 |
|
Haft, Alfred P. |
Painting with light and shadow: The katakiribori engraving technique as applied to the suspension chains of early 19th century tobacco pouches |
46 |
: |
64-72 |
|
Han, Bing Siong |
The Japanese sword, the supreme of metallurgical art |
35 |
: |
76-83 |
|
Jirka-Schmitz, Patrizia |
Trompe-l’oeil, simulation and imitation in the decorative arts of the Meiji period |
27&28 |
: |
173-85 |
|
Mensink, Onno |
Strings bows and bridges. Some provisional remarks on the kokyû in woodblock prints |
15 |
: |
1-9 |
|
Miura, Sadatoshi |
The characteristies of wooden scroll boxes with regard to temperature and humidity |
31 |
: |
135-139 |
|
Myerscough, Marie |
Artistry in bamboo |
7 |
: |
13-15 |
|
Somerwil, Johan |
Emma-ô, the King of Hell |
74 |
: |
30-33 |
|
Sueters, Brigitta |
Tsuba, their manufactures and techniques |
65 |
: |
18-32 |
|
Tanaka-van Daalen, Isabel |
Some remarks on an exhibition of contemporary Japanese goldleather |
29 |
: |
79-82 |
|
Till, Barry D. |
Sencha spoons |
6 |
: |
3-9 |
|
Volker, T. |
Some notes on Japanese stencil makers |
16 |
: |
7-11 |
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Remark: a printable cumulative subject index of Andon 1-62 can be downloaded, but this overview lacks the later editions which were printed in the larger A4 format.
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